Directed by Special Problems
Legendary Polish MC joins forces with the official Beyonce remixer to create a piece refering to classic 90s hip hop.
Soñar estas cosas no debe ser bueno, pobre Pask D’Amico, pero todo lo que es caleidoscópico es bien aunque de un poco de yuyu y a momentos recuerde ciertas partes del cuerpo. Grotesque.
“Superior sound big enough to fill even the most spacious loft – wirelessly from your favorite devices.”
¿Y ahora cómo se supone que nos vamos a comprar unos altavoces “normales” existiendo estos?
Es tan inevitable/natural/de ley el combo Pegasvs y Canada.
Y son tan buenos Pegasvs. Y son tan buenos Canada. Y todo es tan bonito junto.
‘Wait’, taken from the album ‘Hurry Up, We’re Dreaming’, is the final episode of the trilogy, the end point of the visual collaboration between M83 and Fleur & Manu that has been ongoing throughout 2012.
Esas bellas, locas y
supuestamente sencillas animaciones. Japoneses, quiénes si no.
A visual piece by Michael Zoidis & Jodie Southgate, exploring the hazy slow-building ambient piece ‘a2′ by Ólafur Arnalds & Nils Frahm.
Las melenas de las hermanas Haim me pueden. Y sí, las de Danielle Haim (voz), mucho más.
Video directed by Morgan Beringer. A cover of James Holden’s remix of Nathan Fake’s classic.
¿Hay algo más bonito en el mundo que ver crecer crecer cristalizaciones al ritmo del xilófono? Lo dudo.
Love Your Friends, Hate Politicians is the first single extracted from the forthcoming second album by spanish electronic duo The Suicide of Western Culture. Their debut album received great reviews and they have since played the festival circuit, impressing crowds at SXSW, Sonar, and Eurosonic. Their second album, Hope Only Brings Pain, is set for release in 2013 on Irregular, and is at once tragic and optimistic in its symphony of organized chaos.
The music video -filmed in Barcelona and New York- has been directed and produced by Actop, the Barcelona creative cell formed by post-production wizard Alvaro P. Posadas and director César Pesquera. They also designed the cover for the album, assuming all the creative direction in the launch of the TSOWC second album.
‘THAT WILL BE THE DAY‘ is an audio/visual collaboration between composer Aldo Aréchar and motion graphics artist Matthew DiVito AKA Mr. Div.
Music video by Illya Kuryaki & The Valderramas performing “Ula Ula“.
Chicago’s Floyd A. Davis thinks his boomboxes “have a lot to do with nostalgia“. And he’s right. Floyd has taken a throwback and thrown it back even farther, wedding the beloved boombox of the 80′s with vintage suitcases – the ones sported by gentlemen, when there were still gentlemen – he and his mom forage from antique stores. But Floyd’s project goes deeper than an appeal to the yesteryear aesthetic at the vanguard of this year’s fashion. For this DIY Renaissance Man, boomboxes are about taking music back from the laptops and “blasting it” to your friends the old-fashioned way. What he’s managed to do is blend old and new in the creation of a brand new conduit for people to “present the way they listen to music”. Less digital, more visceral. We nostalgics wish him luck.
Joe Pelling & Becky Sloan recently directed the new video for Tame Impala‘s latest single “Feels Like We Only Go Backwards“. The film is made up from over 1000 separate plasticine collages all individually made by hand.